The Meaning of Tahur and its Portrayal in CinemaKategorie: Liczba wpisów: 1, liczba wizyt: 308 |
Nadesłane przez: MarkTopend dnia 03-01-2024 02:31
The term "tahur" refers to a person highly skilled in various games of chance, including card games, gambling, and games of luck.
This term is primarily applied to those players who have specialized to the extent that gambling becomes their main source of income, sometimes leading to potential addiction issues. In some instances and specific regions, "tahúres" may refer to players who tend to cheat during games Betting Exchanges, although this wouldn't be the most accurate definition of the word "tahur."
When analyzing the portrayal of "tahures" in cinema, beyond poker-themed movies, we find various interpretations of this expression.
Indeed, the meaning of "tahur" is clear and focuses on defining an expert player, but the way it is used or depicted https://forum.linuxcnc.org/cb-profile/pluginclass/cbblogs?action=blogs&func=show&id=6210 can vary significantly depending on the context or genre of the film or series.
In the history of film and television, we have seen countless "tahures," but their portrayal and definition differ greatly depending on the genre of the production. Sometimes, they are depicted as cheating players who take advantage of fellow players or exploit casinos or gaming cnn rooms through tricks like counterfeiting in games like poker.
On other occasions, "tahures" are shown as charming and likable players to gain the audience's sympathy. As mentioned earlier, whether the "tahur" is portrayed as good or bad depends on the specific movie or series.
Examples of how the image of "tahur" varies based on the film or series and its genre:
Now, let's define different ways to portray or define a "tahur" in film or television based on the genre. Just as there are various types of poker, there are also different types of "tahures"...
Cowboy "Tahur" in Westerns: In Western films, "tahures" are often divided into two main categories. First, there are the antagonists, typically depicted as the villains who cheat. Second, there are the charismatic protagonists, who may also cheat but do so for honorable motives. This duality is common in Westerns.
"Tahures" with a Heart of Gold: This category includes films like "The Sting," where the narrative constructs the idea that betting houses and casinos are places where one or more heroes can enrich themselves while also serving justice. A prime example of this concept can be found in "Las Reglas del Juego."
"Tahures" with Irresistible Charm: These are often seen in James Bond films, where the famous spy engages in high-stakes poker games and cardplayer other gambling activities.
"Tahures" in Heist Films: A clear example of these "tahures" can be found in the Ocean's Eleven trilogy, where the protagonists are accomplished "tahures" seeking a form of divine justice.
Charming and Witty "Tahures": This category is exemplified in films like "Rounders" or "Shade," where some "tahures" earn the audience's sympathy, even when employing cheating tactics, while others do not.
Within the world of "tahures," especially among those we consider accomplished, online poker players can be seen as the "tahures" of the modern era.
While offline poker players are also "tahures," they have been playing for several decades. On the other hand, online poker players are "tahures" of this century, which is why the term "modern-era tahur" suits them well.
Online poker players exhibit all the characteristics of a "tahur." They specialize in the game to make it a source of income, often their primary or sole source of earnings. They use tools like SharkScope and various software resources for support. Analyzing and studying both their own play and that of their opponents is what sets them apart from average players.
"El Tahur" is a Mexican film from 1979 directed by Rogelio A. González. It is a drama and romance film that boasts an impressive cast. Vicente Fernández, the renowned Mexican singer and actor, is a standout in the film, alongside the beautiful Amparo Muñoz, the heartthrob of the era Jorge Rivero, the humor of Lalo "el Mimo," and the young Alejandro Fernández, who was still a child at the time.
The film features an exceptional selection of songs, making it one of the best musical contributions to "Chente" Fernández's filmography.